9/24/2023 0 Comments Astaire hayworth movies![]() As soon as he starts dancing on the walls you'll see what I mean. Though "Royal Wedding" is certainly not one of Astaire's best films, this famous scene involves one of his most inventive set-pieces. And while often their dances displayed a sort of "call and response" style of performance, this incredible sequence from " Swing Time" really shows the pair in their synchronized glory. Though Astaire tapped and twirled with other famous screen sirens (Rita Hayworth, Eleanor Powell), none were so completely in sync with him as Ms. But the real magic happened when they danced. They made 10 movies together, always playing a couple who fall out over a misunderstanding, then end up together when it’s cleared up. Click here to stream "Top Hat" now!įred Astaire and Ginger Rogers had a cinema partnership for the ages. Romance will never die as long as people are still watching Astaire and Rogers. While we think of Astaire as the King of Tap, he knew his way around a ballroom as well – as you’ll see towards the end of the clip, as Fred literally spins Ginger across the floor, swishing her dress in a glorious arc as the trumpets blare their final notes. Astaire hated this gown as it shed feathers all over the set and his tuxedo (NOT good), but boy, oh, boy did it make an impression on-screen. Click here to stream "Top Hat" now!Īnother highlight of the film is the stunningly romantic sequence where Fred and Ginger dance to Irving Berlin’s classic "Cheek to Cheek," decked out in tuxedo and iconic feather dress that was made to twirl around a dance floor. ![]() In his iconic top hat, white tie, and tails - there can only be one Fred. Make sure to stick around for the end of the clip, where Astaire uses his fast tapping as a machine gun to knock out all his imitators. This celebrated piece hails from " Top Hat," arguably Astaire's greatest film, along with “Swing Time.” This sequence is so memorable, Hugh Jackman mimicked it while opening the 2009 Academy Awards. What's better than one Fred Astaire? How about a chorus of Astaire look-a-likes supporting the great man himself. Judy Garland isnt thought of as a dancer due to her incredible voice and her dramatic. We could go on and on, but this time, we thought we'd let the work speak for itself: Judy Garland & Gene Kelly - The Portland Fancy - Summer Stock (1950). In honor of his birthday, we wanted to give you four of his best dance scenes, that really showcase the range and skill of Hollywood's number one hoofer. ![]() It’s hard to believe that after his first Hollywood screen test, the casting director (who must have been drunk) famously wrote, “Balding. Utilizing extended takes, Astaire - whether solo or with mainstay partners Ginger Rogers and Cyd Charisse - performed uninterrupted, intricate dance sequences that kept audiences captivated for decades. Hayworth subsequently starred in ‘The Money Trap’ (1965), ‘Road to Salina’ (1970), while her last movie was ‘The Wrath of God’ (1972).How best to describe the impact of Fred Astaire on film?Īpart from his undeniable charm and way with a song, Astaire fundamentally changed the way dance was portrayed on film. ‘Separate Tables’ (1958) and ‘The Story on Page One’ (1960) fetched her acclaim. Thereafter, Hayworth featured in ‘The Loves of Carmen’ (1948), ‘Affair in Trinidad’ (1952), ‘Salome’ (1953), ‘Miss Sadie Thompson’ (1953), ‘Fire Down Below’ (1957), and ‘Pat Joey’ (1957). Hayworth starred in a glamorous role in ‘Gilda’ (1946), and earned praises for ‘The Lady from Shanghai’ (1947). Highly successful musicals ‘You’ll Never Get Rich’ (1941) and ‘You Were Never Lovelier’ (1942) were followed by ‘Cover Girl’ (1944), ‘Tonight and Every Night’ (1945), ‘Down to Earth’ (1947). A significant role in ‘Only Angels Have Wings’ (1939) was followed by lead roles in ‘Music in my heart,’ ‘The Lady in Question,’ ‘Angels over Broadway,’ and ‘Strawberry Blonde.’ Rita Hayworth (Margarita Carmen Cansino) made her screen debut at the age of 8 in the short-film ‘La Fiesta’ (1926), and played small parts in ‘Cruz Diablo’ (1934), ‘Caliente’ (1935), and a dance sequence in ‘Dante’s Inferno’ (1935).Īfter some minor roles, Hayworth appeared in ‘Under the Pampas Moon,’ ‘Paddy O’Day,’ and other movies in 1935.
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